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Chelsea Wolfe has released the stark black and white video for newest single, “Carrion Flowers,” directed by Wolfe herself and bandmate Ben Chisholm, with all editing by Chisholm. Shot in California and New York state, Wolfe shares,

“The visuals in the video allude to the drought in California and frustration about corporations being allowed to pump out all the water, destroying environments and communities, just to sell it back. While writing Abyss, I lived near where the water is piped into Los Angeles, but the lakes were dried up and the mountains were burned from fires. During filming we were exploring cracked lake beds and washed out roads – at one point I was laying in the middle of an abandoned canyon road with no chance of a car coming, and it was very surreal and quiet. I closed my eyes for a moment and when I opened them there were vultures circling overhead like I was some exotic roadkill, so we filmed them too.

The scribbles and ropes in the video are about my own madness and self-doubt, and costume designer Jenni Hensler made me a human cocoon from this insane fabric – it represents a feeling of claustrophobia, like you just want to scratch your way out of it. And there is anger in this song; it’s got a sense of revenge for anyone who has suffered or died because of injustice.”

The track is also featured in the newly released official trailer for Dark Places, the upcoming film adapted from Gone Girl’s author Gillian Flynn, starring Charlize Theron, Nicholas Hoult, Christina Hendricks, Chloe Grace Moretz and more. Watch here. German users please visit the direct vevo link, as the video is not available on YouTube!

Sleep paralysis plagues singer/songwriter Chelsea Wolfe, and that strange intersection of the conscious and the unconscious has inadvertently manifested itself within her work. Across the span of her first four albums, there is an underlying tension, a distorted and nebulous territory where dark shadows hover along the edges of the sublime and the graceful. But until now, Wolfe’s trials and tribulations with the boundaries between dreams and reality have only been a subconscious influence on her work. With her fifth album, Abyss, she deliberately confronts those boundaries and crafts a score to that realm she describes as the “hazy afterlife… an inverted thunderstorm… the dark backward… the abyss of time.”

“Abyss” arrives August 7th via Sargent House with pre-order links on iTunes and via the label.

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