ROCK HARD FESTIVAL 2017 – Dinner For One


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Same procedure as last year, Miss Sophie? Same procedure as every year, James – Skål! This is not an untimely attempt to awake year festive spirit, which should be the case at least if you have the same country of origin as I do, but a bit of a nostalgic retrospect on the past 13 years of my annual event highlight. Though I missed the very first time of it, Rock Hard Festival has become the only event I have been visiting since 2004, skipped it three time between 2006 and 2008 (for very different reasons) and have been to every single year since 2009. This makes a total of eleven and nine consecutive years now and nine passes as well. Pretty excited to find out what bands will perform at my personal anniversary in 2018. But let’s take a look back on this years‘ event: The weather was amazing for the most, I watched quite some more bands than last year and met many old and new friends.

Love that Carcass shirt!

My plan for the first day was to hike all the way from my place in Essen to the Amphitheatre on Gelsenkirchen. But to the weather being at its very best, I feared to melt while in the sun and decided to drive as far as I could, using public transportation and just walk about half an hour through the Emscher Park. Thanks to the metal „dress code“ I didn’t even walk alone and arrived right on time to catch up with Susan – my sweet partner in crime, Queen Of Spades Photography. After a first bit of sight-seeing, it was time for the first few bands. Dust Bolt turned out to be a legit opener, while Robert Pehrsson’s Humbucker are more on the laid back side. A bit to „harmless“ if you ask me. Our great expectations regarding Mantar ended up sorely disappointed. This is just not the kind of music/band/stage acting, I enjoy and it’s not even that they are bad at what they do. It’s just not my thing. The Dead Daisies are the living proof that you can rock hard and enjoy yourself on stage even past an average age of 30. The current US „supergroup“ are easy on the ears and know how to entertain a sophisticated audience. After a rather sloppy dinner – well yeah, my pulled pork burger was really sloppy and lukewarm – it was time for Friday nights‘ headliner and my first must-see item: Blues Pills.

Don’t need anything to get high but their own music: Blues Pills

Can’t even say it for sure, but the last time I’ve seen Blues Pills must have been at Freak Valley Festival 2014 – the very same year they first appeared at Rock Hard. Back then they were a sweet afternoon treat and have been touring, promoting and working relentlessly for three years. Many discussions if they are worthy of headlining one of Germany’s most important metal festivals started upon their announcement. As someone who has known this band pretty much from the beginning and has worked with them in the past, I know that they do „deserve“ it. It’s not only that Blues Pills deliver, you can see, hear and feel during every single who how much they enjoy it themselves and not I single time I’ve seen them did Elin’s voice sound wornout. But let’s focus on what really matters: they were great! The setlist featured a very well selection of their two full-length records, EPs and two cover songs. Kicking off with the title track of their current album, „Lady In Gold“ which cracked the official German album charts on #1! Elin truly if a lady of gold with a golden voice and tonight she was also a lady in black, earning her the name „Helene Fischer of Metal“ from someone at the Deaf Forever forum. This is a great comparison, cuz both are blonde beauties from the north (in case you didn’t know, Helene was born in Siberia), great vocalists, talented performers and look amazing. Unfortunately I had to leave early, to catch a bus and missed out „Somebody To Love“ and one of my faves „Devil Man“. But I’ll be catching up with them at Bochum Total and Rockspektakel in Hamburg.

Setlist Blues Pills

Lady In Gold
Little Boy Preacher
Black Smoke
Won’t Go Back
Little Sun
Elements And Things (Tony Joe White-Cover)
You Gotta Try
High Class Woman
Ain’t No Change
Gone So Long
Somebody To Love (Jefferson Airplane-Cover)
Devil Man

Sweden’s sweetest temptation of Rock: Elin Larsson

Saturday started off as a wonderfully warm day with just two bands catching my attention. Not so much a day for a band like Ketzer to enter second one might think, but the Colonge-based five-piece. But hell, did they deliver. It might not have gotten dark across the waterside venue, but the spirit of their blackened trash was received by the masses. Weird to admit, but this was my first time watching and consciously hearing Ketzer and yes, they do have at least one new fan: me! And this will clearly not be the last time. Random note: Guitarist Chris has a cool The Devil’s Blood shirt and vocalist Gerrit (and yes, his last name is Schwarz, meaning „black“ in english!) has a pink kiddy umbrella, so cute!

Setlitst Ketzer

Satan’s Boundaries Unchained
The Fevers Tide
When Milk Runs Dry
He, Who Stands Behind The Rows
The Fire To Conquer The World

Master of Black Masses & Black Metal: Nergal

Taking the rest of the afternoon to relax on my couch, I return tot he dusty ground of RHF just as Exodus finished playing. Round to of festival food turns out to be a slightly overpriced case of asian noodles with hot sauce and a hint of veggies. Could have been worse, but it could have been better as well…And three songs and no flash of D.A.D. later, we find ourselves preparing fort he second headliner. Another first time sees the night, as I finally see Polish Black Metal masters Behemoth for the first time (those few minutes at Wacken 2014 while passing by in the Hell band bus does not count!). And even though I haven’t really been that big of a fan in the past I am totally intrigued by their 2014 massive musical monument „The Satanist.“ Right in time at dusk, the trio states ist first plead with „Blow Your Trumpets Gabriel“, followed by „Furor Divinus“ and „Messe Noire“. My personal black mass peaks with the infernal hails of „Ora Pro Nobis Lucifer“. If my neck and fiercely flying hair won’t summon the dark lord, vocalist and guitarist Adam „Nergal“ Darski most certainly will. „Amen“ to that and yes, this pun is of course intended. And if you haven’t guessed it yet, the band is playing ist current record in its entirety. Nothing to complain imho, cuz it really ist he only one I know song by song and happen to love it! Can’t even say at what point I leave the scene, but it’s my bus call again…worn-out, tired and sweaty I take off happy as one full-time music nerd can possibly be.

Setlist Behemoth

Blow Your Trumpets Gabriel
Furor Divinus
Messe Noire
Ora Pro Nobis Lucifer
The Satanist
Ben Sahar
In The Absence Ov Light
O Father O Satan O Sun!
Ov Fire And The Void
Conquer All
Chant For Eschaton 2000

Gone pro with stage props: Behemoth

The final festival day begins with a band I just recently discovered. While they were on tour with Angel Witch, Susan and I have been hooked on Night Demon. They are such an awesome live band and some of the greatest people you’ll ever meet, if you have the chance to. After their show at Helvete metal club, we partied with them till 4:30am. Oh yeah! Starting their appearance with the opener of their latest output “Darkness Remains” might seem a bit strange, cuz it’s a bright sunny day. Still „Welcome To The Night“ is inviting the slighty zombified masses to join them to one heck of a show. If you enjoy straight forward Hard Rock with a touch of NWOBHM, Night Demon from Ventura is your new favourite band. Last into their set is a very well-known and heartwarming received Maiden classic: „Wasted Years“. But this time the Amphitheatre has an audience that some headliners will not attract and only few bands to play first on the last day will ever see.

Welcome to the Night Demon!

Setlist Night Demon

Welcome To The Night
Full Speed Ahead
Maiden Hell
Curse Of The Damned
The Chalice
Screams In The Night
On Your Own
Night Demon
Black Widow
Wasted Years

I’m under their spell: Blood Ceremony

Up next my favourite Canadian export enters the stage to bring some early darkness to the city of Gelsenkirchen. Blood Ceremony are the ever so charming and living proof that a Hammond organ and flutes do contribute to contemporary music and are still as present as Deep Purple and Jethro Tull. Throw in some of the most endearing female vocals you can imagine and you know what to expect from these four musicians. Their six track setlist features songs from the 2013 album „The Eldritch Dark“ and their latest creation „Lord Of Misrule“ from 2016. The latter one sounds like something a 60s garage rock band could have done and all members of the band totally live the spirit oft he hippie era throughout the show: Guitarist Sean Kennedy with his blue jeans, BC band shirt and brown suede vest ist he epitome of cool and let’s me think of „That Seventies Show“ – just image Hyde with Kelso’s head! Michael Carrillo changed his shirt in favour of w black wife beater; good thinking cuz as the drummer he might be sweating the most and with arms like that he might as well show the (off). Bassplayer Lucas Gadke took off his shoes and rocks the barefoot style, way to go bro. And last but clearly not least there the enchanting chanteuse, flutist and organist Alia O’Brien. To quote Susan on this: I realised my closet is in need of a blue velvet turtleneck onesie!

Setlist Blood Ceremony

Old Fires
Goodbye Gemini
Drawing Down The Moon
Half Moon Street
Lord Of Misrule
I’m Coming With You
The Magician

Ready to fight for any battle hymn: Ross The Boss

The final serenade for me will be that one band playing songs from that other band no one wants to admit to like but in the end everyone will go all crazy when any of their songs will be played in any metal club. You know that one, the one with the fur bikinis, striking poses and high-pitched vocals many opera singers will be totally jealous of. In one word: Manowar. And in three words today: Ross The Boss. So very bosslike the old hymns work at this very present day. With „Blood Of My Enemies“ I just let go and get lost into the music like there is no tomorrow. Night Demon’s Armand who watches the band along side Susan and me is no stranger to those metal anthems either. Some „Kill With Power“, „Fighting The World“ and „Battle Hymn“ later, I’m good to go (home that is). And what better note to end the event than „Hail And Kill“?

Setlist Ross The Boss

Blood Of The Kings
Death Tone
The Oath
Blood Of My Enemies
Kill With Power
Thor (The Powerhead)
Sign Of The Hammer
Fighting The World
Metal Daze
Battle Hymn
Hail And Kill

The event for the whole family: Rock Hard Festival!

All pictures courtesy of Queen Of Spades Photography


Rock Hard Festival Homepage

Rock Hard Festival Facebook Page


TRIBULATION – New Drummer & Festival Dates Announced


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Swedish Dark Rockers Tribulation finally announce their new sticksman, after Jakob Ljungberg has officially left the band earlier this year. The following statements have been posted on their facebook page:

As the summer in the year of their lord 2017 draws near and the world in the north is again fully starting to wake from its slumber we, on the other hand, are forced to face an inevitable end in the departure of our drummer Jakob Ljungberg who has decided to leave the band. We have spent the last five years together through pain to heaven, in chaos to bliss! It’s been such a strange, wonderful, tiring and inspiring time and we would like to thank you from the bottom of our hearts for making this time the most important in the history of the band. We surely couldn’t have done it without you. We were like brothers even before the time of Tribulation and we certainly will be in the time after! Make sure to check out Jakob’s unique and most excellent band Second Sun where he sings and plays guitar!

Jakob comments:

”It is with a heavy heart that I leave Tribulation. These last years have been among the best in my life, but they wore me out and now I have to continue life on different paths.

Thanks to everyone involved – you made this journey spectacular, thanks to everyone that came up and said hi – it meant the world to me, thanks to everyone who believed in me – you made me believe in myself. Jonathan, Adam and Johannes. I love you.

“The end of nights we tried to die – this is the end.””

For Tribulation, however, this is not the end, but a new beginning. After this period of silence, renewal and contemplation the time has now come to give you the new Tribulation! We have now fully immersed ourselves in the making of a new album that will be recorded at summer’s end.

We are very pleased to announce that Oscar Leander (previously in Deathstars) is our new drummer. He will make his first appearance with us on Muskelrock på Tyrolen now on Thursday, June 1st!
Are you ready? We are!

Photo by Ove Wiksten

Tribulation 2017:

Oscar Leander – Drums
Johannes Andersson – Bass & Vocals
Jonathan Hultén – Guitars
Adam Zaars – Guitars

Though the band has been forced to cancel its appearance at Bang Your Head, they will play at Metal Magic Festival and Graspop Metal Meeting.




TRIBULATION Instagram Profile

THE RUINS OF BEVERAST / KING DUDE / (D O L C H) – Invading Central Europe In Autumn


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Just as the third edition of the now annual Acherontic Arts Festival closes its doors, yet another live announcement comes from Germany’s very own (oc)cult label Ván Records. In October and November two of the rosters most relentlessly touring artists – King Dude and The Ruins Of Beverast – will be en route through central Europe. Joining in on the stage shenanigans will be one of the most mysterious acts, the label has to offer: (D O L C H).

As reverent as it is prophetic and stark, Burning Daylight pulls together the biblical sound and isolation of the northwest. King Dude draws from artists akin to Death in June & Leonard Cohen but sews together a hybrid of true folk tradition alongside the likes of Woody Guthrie and Johnny Cash. Last year’s release of King Dude’s debut full-length masterpiece, Love, saw a beautiful vision of what was in store for the future…and what future is now. Burning Daylight is the newest edition to the King Dude canon. Coal dust spirituals mined from the haunting backwoods landscape of the Pacific Northwest. Stories of the constant struggle of man’s turbulent affair with his Lord and the Devil. Burning Daylight produces a maturity and direction that is unparalleled…showing us the word, and way and the light.

Atmospheric and sustained music for the heart, soul and brain. (D O L C H)´s first two demos (Demo I + “Licht. Maschine. Herz.” ) showed a very melancholic soundscape, accompanied by sad voices and lyrics. Their live performances are as intense and honest as their songs, to say the very least.

“Beverast” is Meilenwald’s own derivation of the word “Bifröst” influenced by the old Norse term for the bridge between Midgard and Asgard. Thou art now profane in death.

Check out the flyer below for all confirmed dates of this prestigious package!


KING DUDE on Facebook

(D O L C H) on Bandcamp


GALLEY BEGGAR – Heathen Hymns Available For Full Album Stream Now


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Hailing from Kent and London, Galley Beggar are a band of six musicians – Paul Dadswell, David Ellis, Mat Fowler, Bill Lynn, Celine Marshall & Maria O’Donnell – that grew up obsessed with an old sound. Influenced by the likes of Led Zeppelin, Pink Floyd, Nick Drake, Jethro Tull, Fotheringay, Fairport Convention, Steeleye Span, Bert Jansch, Circulus and Pentanglehe, the bands’ name derives from an old English ghost, often reported in the North of England and mentioned as far back as 1584, in Reginald Scot’s The Discovery of Witchcraft. This fearsome ghost is described as being almost without flesh and bearing its head under its arm and emitting a deathly scream. The name is derived from the word ‘Gallery’, meaning to terrify. This ghost is likely to be encountered on country roads and deserted lanes.

To reduce Galley Beggar’s allure down to a simple matter of folk rock revivalism would be foolish. With a sound that incorporates all manner of unexpected elements while always celebrating the mischievous spirit of folk music across the centuries, these Kentish chameleons have been steadily earning a formidable reputation since forming back in 2009. Over the course of three acclaimed albums – Reformation House (2010), Galley Beggar (2012) and Silence & Tears (2014), the band’s first for Rise Above Records – Galley Beggar have pulled off the neat trick of simultaneously honouring and upgrading the psychedelic folk rock template, both revelling in the simple magic of acoustic instrumentation and joyfully harnessing the lysergic power of the electric too. And now they are poised to release their fourth and finest album, Heathen Hymns. A dizzying blend of the traditional and the untried, it’s a record full of absorbing musical stories that showcase a newfound lust for experimentation.

Cover Artwork by Burning Moon

Although already firmly established in folk rock circles, Galley Beggar’s greatest achievement to date is arguably their ongoing assimilation into the world of heavy music. Aided by their association with Rise Above, the band are picking up fans from both the metal and the prog worlds, their reliably idiosyncratic flair ensuring that all but the most cynical punters will eventually be drawn towards the GB web. 2016 was a relatively quiet year for Galley Beggar but as Heathen Hymns begins to cast its spell on the psychedelic (and not so psychedelic) hordes, it seems that Maria and her comrades are ready, willing and eager to hit the road and share these new bursts of dazzling sonic light with the masses.

Heathen Hymns was released on April 28 2017 via Rise Above Records. Head over to Noisey to stream the album in its entirety.



GALLEY BEGGAR on Rise Above Records

MAMMOTH MAMMOTH – “Mount The Mountain” Out Now


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Melbourne Metal Monster Mammoth Mammoth is back with album number five. Self acclaimed as, ‘The most rock n roll, rock n roll band in the History of History’ and Described by one radio DJ a , ‘… a band that’s impossible not to admire their sense of humour; they never take themselves too seriously – yet are hugely serious about the riffage that hits you head on!’ Mammoth Mammoth call it ‘Heavy-murder-fuzz.’ And its effect as. ‘…the type of rock that sometimes kills unicorns’.

There is no argument that their dark, heavy and menacing tracks are an indelible signature that underlines their influences. All four share a reckless dedication to bleed for their audience. It’s certainly done no harm in establishing a strong reputation with stoner, doom and hard-rock fans.

Their first EP was released prior to any live shows proved popular in Europe and Australia with several tracks licensed to commercials and the feature film, The Loved Ones’. On the release of their third album, they we’re signed by European label Napalm Records who further released it worldwide to excellent reviews in November 2012. 2015 saw the release of Hammered Again with the band touring extensively across Australia and Europe. Now fresh out of the studio and set to deliver another powerful addition to our list of prior heavy Rock’n’Roll convictions. Their 4th studio album titled, Mount The Mountain is out today on Napalm Records.

Eleven power tracks that threaten to blow your mind, our new album yet again delivers stompers that will lead you blindfolded into a hellish inferno of psyched-out riffs and debauched, fist-pumping anthems. Mikey’s comment on the new release “We consider the writing of our albums not unlike working on a top fuelling drag car. We tinker around a bit, we strip the engine down to rebuild it by adding a couple new parts whilst taking some out, always trying to make it run faster and sounding louder, this time though we’ve added a bigger exhaust system and a load of nitrous …and a cup holder”.

Additionally the band will embark on a massive European tour, kicking off today at Desertfest Berlin The band will be busy all the way through late April and May and to top it all they will play at Freak Valley Festival and Binger Open Air Festival in June as well as Fraureuth Open Air Festival in September.

Mammoth’s “Mikey Tucker” says:

“We’re pumped to roll out the new songs across some of our favourite clubs in Europe. Writing this album was like working on a top fuel drag car. We stripped back the engine, then rebuilt it to run faster, louder and more badass, this time though we added nitrous … and a cup holder”.

Special guests will be the Australian riff monster Riff Fist on the dates marked with *. We are looking forward to it!




MAMMOTH MAMMOTH on Sound of Liberation

MAGGOT HEART – ‘Razorhead’ Song Premiere & Debut EP Announcement


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After her untimely leave from the band formerly known as post-apocalyptic rockers Beastmilk, Grave Pleasures, Swedish guitarist Linnéa Olsson has made herself scares to the public. So it seemed that she would disappear from the surface again just as fast as her the band that brought her into the limelight – The Oath. But she is back with a vengeance and her very own vision of Rock’n’Roll: Maggot Heart.

Recorded in Linnéa’s chosen home of Berlin and Uppsala in 2016, the debut EP of this new musical gathering is called ‘City Girls’, with lyrics inspired by the restless place which has cast a spell on many musicians before. Joining in the blonde guitarist & vocalist, are her former bandmate Uno Bruniusson (Procession, Death Alley, ex-In Solitude) on drums & percussions, as well as Gottfrid Åhman (No Future, Reveal, ex-In Solitude, Invidious, Repugnant) and Sam Segarra of Drangsal, who share duties on bass. Additionally Gottfrid Åhman recorded ‘City Girls’ alongside Pierre Somville, who also holds responsible for the digital mix and mastering, while the vinyl mastering was done by Nene Baratto. Artwork and layout were created by Jan Fuck Utecht and the back cover photo was taken by Benedikt Eiden.

‘City Girls’, the debut EP from Linnéa Olsson’s Maggot Heart will be released on May 25, 2017  for download and on 12″ vinyl via Teratology Sound & Vision on June 09, 2017. Teratology Sound & Vision is a small mailorder operating from Berlin, Germany carrying a selected catalogue of vinyl, compact discs, tapes, zines and whatever might catch (y)our interest.


MAGGOT HEART on Bandcamp

PURSON – Another Brit Bites The Dust


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Rumors have been spreading since the end of last year and the first public post, that Purson, the fancy five-piece from Britain called it quits has been posted in December 2016 by the Great Southern Brain Fart. The band has always been as vibrant as troublesome, single shows and entire tours would be cancelled, they left Lee Dorrians prestigious Rise Above Records for Finish label Spinefarm after just one full-length album and also Facebook featured some revealing posts on the members private profiles recently.

Now the band‘s leading lady, guitarist and vocalist Rosalie Cunningham announced the following statement: “The past five years have been an unforgettable whirlwind, for which I have to thank our wonderful fans around the world, the band and all the people who have contributed to Purson’s success over the years. Their support has been overwhelming, but the Purson framework has gone as far as it could go, and now it’s simply time to move on. I feel strongly drawn to a more DIY approach to my career in music, and look forward to the freedom to explore many avenues as a solo artist.”

To mark the end of the band, Purson have released one final track titled Chocolate Money featuring Comus’ Jon Seagroatt on saxophone and Vodun singer Chantelle Brown on backing vocals.

Cunningham adds: “Chocolate Money is a snapshot of the ostentatious decadence of the 70s. The mythical rock star character with his double-entendre and self-centred hedonism. The industry has become a very different world since then, which is something I will expand on lyrically with my next album. It has inspired my desire to go back to basics and remember what music is supposed to be about.”


PURSON Homepage

PURSON on Facebook

PURSON on YouTube


ROCK HARD FESTIVAL 2017 – Running Order Online


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Less than two months to go before Rock Hard Festival 2017 takes place. Today the official Running Order is finally available – please check below. Also check out the official Warm Up show at Lükaz Lünen next moth. Addtionally there will be single day tickets available at the following fees:

  • Friday: 39€
  • Saturday: 45€
  • Sunday: 49€

Friday, June 2nd


Saturday, June 3rd


Sunday, June 4th

(„Farewell To Accept“)


Rock Hard Festival Homepage

Rock Hard Festival Facebook Page



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Jus & Liz…and they call it puffy love!

Hailing from the coastal Southwest of the United Kingdom, Electric Wizard have consistently redefined the preconceived thresholds of a detuned guitar chord with their peerless doom metal achievements. Formed by vocalist/guitarist Justin Oborn (previously with Lords of Putrefaction), bassist Tim Bagshaw, and drummer Mark Greening, and initially known as Thy Grief Eternal (briefer still, simply Eternal), the band made their debut with 1993’s; “Demon Lung” single – a split release with Our Haunted Kingdom (who later evolved into Orange Goblin). Released by Lee Dorrian’s very own Rise Above Records, the single paved the way for Electric Wizard’s eponymous first full-length a year later. Almost a quarter of a century later, Electric Wizard has seen numerous lineup changes and released seven more studio albums, the most recent, “Time To Die”, in September of 2014.

Please insert name of band, album & song here!

Kicking off today, Electric Wizard will return to European soil and “there is a constant Electric Wizard line-up. Me and Liz, ” to quote the master himself and just to clarify this upfront. Joining in the Dorset Doomsters for all dates except for the Stockholm show tonight, will be fellow legends Angel Witch. Formed, originally under the name of Lucifer, and was initially composed of guitarist and vocalist Kevin Heybourne, guitarist Rob Downing, drummer Steve Jones, and bassist Barry Clements. The band has regrouped and split up several times and has been going strong ever since getting back together at the dawn of the 2000s. Besides fronter Heybourne, the current incarnation features sticksman Andrew Prestidge and lowrider Will Palmer. With their self-titled debut, Angel Witch is considered as one of the most important bands from the NWOBHM-era. After missing their performance at the “Hunting Across Europe” tour in 2013, I will finally be catching up with them twice this month!




SAINT HELENA FESTIVAL 2017 – Riff Erupting Blackened Masses


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Saint Helena is a volcanic tropical island in the South Atlantic Ocean, measures about 16 by 8 kilometres and has a population of 4,534. The island, one of the most remote islands in the world, was named after empress Saint Helena of Constantinople. Not quite as remote as the eponymous island is the annual festival with its exquisite selection of Doom, Stoner and Post everything bands. With the announcement of Black Doom/Sludge four-piece Downfall Of Gaia, the lineup of the sixth edition was completed. 13 bands will be summoned at Feierwerk Munich three months from today on June 24, 2017.

Can’t wait to see them again: Thränenkind

Headlining the event will be Bristol-based Crippled Black Phoenix. Spawned in 2004, Founder and multi-instrumentalist Justin Greaves had already made a name for himself as drummer for Iron Monkey and Electric Wizard among others. Signing with Season of Mist in 2016 brought the E.P. “New Dark Age” and the latest album “Bronze” which has been very well received by critics and fans alike. Crippled Black Phoenix create an atmosphere with a certain resemblance of one UK household names (Pink Floyd – for anyone who wouldn’t guess that…). At the other end of the scale Full Of Hell present their harsh grinding death from the east coast. Formed in 2009, this young Ocean City band has released their now acclaimed joint venture with none other than Merzbow himself. 2016 saw the release of their collaboration with the thundering and depressive duo, The Body, entitled “One Day You Will Ache Like I Ache” as well as a Split 7″ with Californian Hardcore monster Nails. 2017 will see the release of third full-length titled “Trumpeting Ecstasy” on May 5 via Profound Lore Records. And this night will also be Pychorizon’s reunion with the band that is single-handedly responsible for one of the best shows of last year AND the best album of 2016, Munich’s very own Thränenkind. The Post Black Metal outfit will be sharing stages with North Dakota-based Ghost Bath once more, to present their scene and genre dividing sound.

With acts like Ultha from Cologne, Heretoir from Augsburg, Phantom Winter & Cranial from Würzburg and Unru from my birthplace Bielefeld, the organisers of Saint Helena Festival place great emphasis on hosting bands from the German Black and Doom Metal scene. For complete lineup check flyer below.