Das noch immer junge Jahr 2020 verhält sich bisher sehr ruhig. Weder Parties noch Konzerte konnten mich in den vergangenen zwei Monaten vom Sofa locken oder dazu bringen, die Nacht zum Tag zu machen. Doch völlig untätig bin ich natürlich nicht und einige Events stehen bereits auf meiner Wunschliste. Auch in Sachen Festivals könnten die kommenden zehn Monate spannend werden. Und so möchte ich den heutigen Tag, der ausnahmsweise auf den 29. Februar fällt und somit schon Seltenheitswert besitzt, für einen kleinen Ausblick nutzen.Recht weit oben in meinem persönlichen Kalender und doch unmittelbar an der Jahresmitte liegt wenig überraschend das Rock Hard Festival. Für mich könnte es das nunmehr zwölfte Mal in Folge und insgesamt 14. Pfingstwochenende im Gelsenkirchener Amphitheater werden. Mir fehlt zu diesem Zeitpunkt allerdings noch ein echter Kracher, bei dem ich so richtig ausflippen kann. Dafür freue ich mich sehr über die Ankündigung der Lokalmatadore von Neck Cemetery, deren Erscheinen mehr als obligatorisch ist. Stellt sich nur die Frage, ob Frontmann und RHF-Inventar Jens Peters sich und seine Mitstreiter selbst singend ankündigt oder wem er dafür das Mikrofon freiwillig (oder eben auch gezwungener Maßen) überlässt. Wer nicht bis Ende Mai warten möchte, kann bereits zur Monatsmitte im Lükaz – dem Lüner Kultur- und Aktionszentrum auflaufen. Hier gibt es ein Schwedendoppel mit RAM und den wunderbaren Spiders, die 2016 selbst am Kanal rockten sowie DER Deutschen Nachwuchshoffnung der Stunde: The Night Eternal. Deren neue Single “Shadow’s Servants” kommt am 20. März bei Ván Records raus, während das Debut über den bandeigenen Shop auf Platte und Kassette erhältlich ist. Nur eine Woche nach dem RHF und somit praktischer Weise nicht zeitgleich, geht es auch im Süden heiß her.
Rock im Park wird 25 und hat einfach mal eine handvoll musikalischer Highlights eingeladen, die auch 1995 perfekt gepasst hätten. Die große Schwester Rock am Ring ging schon 1985 an den Start und wird somit im Sommer 35. Nach einschlägiger Erfahrung meines bisher einzigen Trips zum Nürburgring als Festivalbesucher 2006, ziehe ich jedoch das Zeppelinfeld in Nürnberg der Rennstrecke in der Eifel vor. Beim diesjährigen Lineup sticht vor allem der Sonntag hervor und zeichnet sich quasi als ultimativer 90er Trip aus: Green Day als Headliner, dazu noch The Offspring, Weezer und Bush. Also ich wäre damit mehr als zufrieden, wenngleich einige Acts der ersten Auflage mich ebenfalls in Ekstase versetzen würden. Vor allem Ugly Kid Joe, Selig, Faith No More und Bad Religion. Bis auf UKJ sind alle aber in den kommenden Monaten ohnehin auf Tour und vielleicht kann ich dann noch auf paar Haken auf meiner To-Watch-Liste machen. Die Punk-Veteranen Bad Religion habe ich immerhin bereits 1996 live erleben dürfen, im Alter von 13 beim zweiten Konzert meines Lebens. Im Rahmen ihres 40-jährigen Bühnenjubiläums gehen Greg Graffin und Co. auf ausgedehnte Europatour und sind zudem als Headliner und bisher einziger Act beim diesjährigen Crash Fest in Berlin angekündigt. Auch wenn ich nach zwei Trips 2019 nicht unbedingt wieder in die Hauptstadt möchte, weiß ich dank des einzigen Deutschlandkonzerts der Smashing Pumpinks, dass sich die Zitadelle Spandau als Location allemal lohnt. Whitfield Crane und seine Truppe gehören nach wie vor zu den aktivsten Zeitgenossen, die aber leider allzu oft unter der Woche auftreten. Auch der Deutsche Dauerbrenner Selig war nie so richtig weg, doch auch die Vorzeigekapelle der Hamburger Schule habe ich bisher verpasst. Und Faith No More waren tatsächlich ewig nicht mehr in Europa geschweige denn Deutschland unterwegs. Ob ich es schaffe, Mike Patton live und in Farbe anzuschmachten, bleibt abzuwarten. Möglichkeiten gibt es einige und im Gegensatz zu Dave *GRÖHL* Grohl und seinen Foo Fighters und den ewigen Pearl Jam um Grunge-Legende und Wahl-Seattle-Bewohner Eddie Vedder sind die weder restlos ausverkauft noch unverschämt überteuert.
Bad Religion, mein erstes Mal, bei einem Punk-Konzert: Es war 1996
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Hailing from the coastal Southwest of the United Kingdom, Electric Wizard have consistently redefined the preconceived thresholds of a detuned guitar chord with their peerless doom metal achievements. Formed by vocalist/guitarist Justin Oborn (previously with Lords of Putrefaction), bassist Tim Bagshaw, and drummer Mark Greening, and initially known as Thy Grief Eternal (briefer still, simply Eternal), the band made their debut with 1993’s; “Demon Lung” single – a split release with Our Haunted Kingdom (who later evolved into Orange Goblin). Released by Lee Dorrian’s very own Rise Above Records, the single paved the way for Electric Wizard’s eponymous first full-length a year later. Almost a quarter of a century later, Electric Wizard has seen numerous lineup changes and released seven more studio albums, the most recent, “Time To Die”, in September of 2014.
Please insert name of band, album & song here!
Kicking off today, Electric Wizard will return to European soil and “there is a constant Electric Wizard line-up. Me and Liz, ” to quote the master himself and just to clarify this upfront. Joining in the Dorset Doomsters for all dates except for the Stockholm show tonight, will be fellow legends Angel Witch. Formed, originally under the name of Lucifer, and was initially composed of guitarist and vocalist Kevin Heybourne, guitarist Rob Downing, drummer Steve Jones, and bassist Barry Clements. The band has regrouped and split up several times and has been going strong ever since getting back together at the dawn of the 2000s. Besides fronter Heybourne, the current incarnation features sticksman Andrew Prestidge and lowrider Will Palmer. With their self-titled debut, Angel Witch is considered as one of the most important bands from the NWOBHM-era. After missing their performance at the “Hunting Across Europe” tour in 2013, I will finally be catching up with them twice this month!
Inhale heavy riffs, obey the witch and stare in the eternal black void of ‘Servus’! Released one week and two days ago, this is not only a good reason to take a closer look at the debut full-length of Belgian Doomsters Bathsheba, but also to celebrate my first encounter with the wonderful Michelle Nocon. ‘Servus’ much notably and rightfully has gained a massive media echo and shall pave the way for further touring efforts outside their native territory.
‘Servus’ is a very spiritual album. It’s about deep feelings and experiences that are very abstract. There are other feelings like ‘saudade’ which is also very deep and hard to grasp for some people, but they are more concrete. ‘Servus’ is about things that are hardly on earth anymore. During the process of ‘Servus’ I had a lot of dialogues with myself, I went through a lot of weird things, also demonology related somehow, as the talented vocalist recalls about the progress of creating the album, which was released on February 24th, 2017 by Svart Records. And while they were only just an opening act at the joint venture of Occult Sabbath and Feverdance Rituals, it certainly will only be a matter of time till the four-piece will do a headlining tour. Being amongst those who have been chosen to appear at prestigious Roadburn Festival and sharing stages with the likes of legendary Coven & Jinx Dawson, Chelsea Wolfe, Oathbreaker, King Woman or True Widow, to name but a few, will clearly up the ante for them. If you’re not yet fully convinced of the greatness of Bathsheba and ‘Servus’, you might give yourself and the band a chance by streaming the album in its entirety via German Rock Hard Magazine!
She-Wolf And The Faceless Ghouls: Bathsheba MMXVII – by Burning Moon
After previously announcing the release of their full-length debut record “Created In The Image Of Suffering”, San Francisco-based King Woman have now unveiled a first music video in advance. Directed by Kevin Haus, the video for “Deny” was brought to life by Consequence of Sound.
Vocalist and lyricist Kristina Esfandiari comments: “With this video we aimed to paint a picture of how tormenting and exhausting it is to wrestle with your true self.” Religion plays a strong theme in the music of King Woman, but not in the “praise God, glory be to Him” sort of way. Naming their forthcoming output “Created In The Image Of Suffering” was more than just a clever turn of phrase for the Bay Area Doom Metal outfit. The record is a “catharsis for years of religious and mental torment,” as a press statement puts it, a release you can certainly feel in the album’s new single “Deny”. The song itself finds bandleader Kristina Esfandiari bewailing the facade forced on her by religion in her uniquely hazy drone. “I pray my mother/ Won’t you ever find a cure?” Esfandiari asks on the chorus. “Throw back odd pill/ Find euphoria I once knew.” Musically, “Deny” is a perfect exemplification of how Consequence of Sound’s own Andy O’Connor described the band’s sound in his 10 Most Anticipated Metal Albums of 2017 feature: “Doomy enough for those who still wish High on Fire were on the label, yet weird enough for people who only know Relapse through S U R V I V E…”
As for the track’s video, which you can watch above, director Kevin Haus captured the song’s ethos with frightening vividness. Esfandiari describes it as revealing “the shadow aspect in Jungian psychology,” unlocking the darkness kept locked away in one’s subconscious. “In the video you see this portion of the mind surfacing and coaxing the preacher into his truest form; drawing out the aspects of himself which he loathes because it doesn’t fit in with his beliefs,” she tells Consequence of Sound. “In church, I saw others being raised with a rod in their backs, trying to fight their own carnality — buried in shame and guilt. The belief was to deny anything inside of themselves that was considered ugly or wrong, and instead attain a pristine image.”
Additionally the band will be touring the US and Europe alongside Oathbreaker, Chelsea Wolfe and True Widow throughout February, March and April.
From the depths of the black charcoal mountains rises the Belgian band Bathsheba. Fronted by She-devil Michelle Nocon (ex-Serpentcult, Leviathan Speaks & Death Penalty), carried by the punishing drums of Jelle Stevens (ex- SardoniS), massive vibrations from Raf Meukens (Death Penalty, Torturerama) and relentless riffs from Dwight Goossens (ex- Disinterred). Bathsheba throws you into deep sadness and inner rage, straight into the cave grim, no meander in the enchanted forest on the way to the deep. Bathsheba plays heavy doom mixed with sludge and black metal. The heavy low-tuned monster can pursue in fast pace while the haunting vocals go from monotonous chants into another level of schizophrenia. Bathsheba has self-released a demo tape in October 2014 and shortly after signed to Svart Records whom released a 10”EP in May 2015. The debut album ’Servus’ will be out a month from today on February 24, 2017. So much about the official press release, but let’s take a look behind and find out how much of a she-devil she really is!
Say Hello to ‘Servus’
Michelle, how would you preferably describe yourself, specially in terms of being somewhat of a diabolical persona (if that even is the case at all)?
I suppose you can answer this question on different levels. Well I am someone of extremes I am kind of an innocent incorruptible person and at the same time I am quit dark. I know that. I am not a person who seeks vengeance altho I am a person capable of profound love and hate. I might say though that I’m not completely against vengeance either. I’m not a part of the Satanic Church but I respect them a lot. “When someone does you wrong, warn them. If they don’t stop, destroy them”. I might say I rarely find vengeance useful, to anyone. I mean it mostly takes energy and you empower the other person by still thinking of them or acting to trigger them. How much energy do you invest in another person’s unhappiness? You basically allow them to have power over you because they make you sad or angry. If you are indifferent to someone, then you are over things, then you have your power back. And are you a hateful person or not? So it’s about how you are and about what your limits are in terms of justice I think. Jealousy also often leads to vengeance. I don’t have that at all. But sometimes people do horrible things, real horrible things that allow us to lose power. When a person would hurt someone you love on purpose, would you not do anything about it? Also if you turn the other cheek, where will it end? If you do bad things and never get punished then there are no bad consequences for it… Why stop this then? Behaviour has consequences and you should take the consequences fully, whatever that is, whomever you are. Also if you are the person who takes revenge. I think I understand a bit of the balance within the kosmos. Revenge should only come with deep and true feelings of injustice.
On a spiritual level it’s hard to say. On one hand I value again this more satanic view. Life is here and now. If you want to do something good do it now and not for a reward at the end of the rainbow. Because that’s silly and it’s very selfish isn’t it? Doing good so you will go to… ‘heaven’ let’s call it that. If you want to do good to a person, do it now and do it because you want to do good to a person… If you think a person really deserve something bad don’t wait on the universe to correct it. You are in the universe and the universe is within you. And revenge is also a way of protection isn’t it? Some protect their ego, others protect the lives of the ones they love… I have an immense sence of justice when it comes to my loved ones. So back to this satanic view. They don’t believe in an afterlife so they don’t believe in spirits and demons. The people who believe to invoke demons etc… I think they just want to be cool. But when you look at them, no serious person thinks they are cool… They have no idea what they are doing mostly and they take themselves far too serious. Life comes with a big amount of humor, and self humor. On the other hand I have experienced things that make me believe that there is something more that carries us even beyond our death… I also believe no one in the world has control over who you can invoke. Of course there are rules for how to invoke or attract a particular demon. But I don’t believe, anyone of us controls the power to invoke a particular spirit. So you don’t know what you bring in and you don’t know what it does… I have to say I was always very much intrigued by these mysteries since a very young age… I still read a lot about it. I don’t know the exact truth but maybe there is no truth. Maybe if you believe in demons, they exist for you. And if you don’t, they don’t… Who will say. We are all light I believe and at the same time we are all diabolical.
Has your life changed during the progress of creating the album and what kind of emotional status do you expect after ‘Servus’ is finally out? I could imagine this to be like having sex for the first time ever, afterwards there’s just now turning back…
Funny you ask this, but yes certainly. I even talked about this with a friend. February of 2016. I remember well. On a morning walk in the cold. I’m going to try and tell you what I said. ‘Servus’ is a very spiritual album. It’s about deep feelings and experiences that are very abstract. There are other feelings like ‘saudade’ which is also very deep and hard to grasp for some people, but they are more concrete. ‘Servus’ is about things that are hardly on earth anymore. During the process of ‘Servus’ I had a lot of dialogues with myself, I went through a lot of weird things, also demonology related somehow. I told my friend that I was worried because once spoken, it makes it ‘real’. And if I write it down it will be in our minds forever. I can never erase this anymore if I pull through with this atmosphere and lyrics and I’m afraid it comes with a price. When the album comes out; it is recorded and written; and with that it is reality forever… I will never be the same again when this comes out. But I wanted to do it because this was inside of me. Hiding it would make me untrue towards myself. Within time I found that this whole demonology, if I can call it that, was simply a part of me but also a part of normal concrete daily earthly life. I accepted it and I will take the consequences of all my actions. So yes, you could somehow compare it with having sex for the first time. It’s an irreversible act and you will have to live with that. That said I will have grown.
As far as the German language is concerned, the term “Servus” can be used either to say goodbye or hello – in what way is the album title meant, is it open to interpretation and does it refer to any person in particular?
‘Servus’ in Latin means ‘Slave’. So this is what we are aiming at. You can be enslaved by concrete things on earth. Like sugar and food, sex, love or a person even. But on a bigger more abstract flow as well. This is what I like about this album. Anyone can apply it somehow. But a few ones will fully understand it. My experience was more about being enslaved in life and feeling crushed under this immense weight of being alive. The struggle between those two extremes, the darker side and the bright one. And how to cope with it. How to search for yourself, your truth. Almost losing yourself and acknowledging the different versions of yourself. That’s why I wanted a ‘being’ with a distorted face as an album cover. Sort of a faceless person. Because if you don’t watch out you’ll find you can lose yourself easily.
We’re not gonna talk about if there will be a tour sometime soon, cuz there will be one for sure! On the road, is there anything you would love to have on your personal rider?
Haaaa…, On my rider I would love to have healthy tasty food. I would really love to have as much as possible gluten-free food! I used to try vegetarian and vegan food but because I have gluten and lactose intolerance this is very hard. I also want to keep fit and healthy. If they make an effort for food that comes from bio farms etc, I would be immensely happy. I know it’s more expensive but it makes a difference on a mondial level. I’d rather ask something like that then a bottle of Absinthe (altho I love absinthe <3). I hate animal cruelty and I want to try to somehow make it better with whatever I can. Also for the health of the band. When drinking sodas or beer and eating fast food and candies the whole time… If you are touring a long time it will turn against your body. I’m also a herbalist so anything herby or self-made from your own garden stuff will make me happy… I’m also very eager to try new things even if they are weird. I must say… a good curry can really satisfy me though….
Dealing with the She-Devil: Bathsheba
Let’s get back to music for a change. I just recently discovered another Belgium band fronted by a powerful female vocalist and I’m pretty sure you know who I’m talking about – so what do you think about Oathbreaker and vocalist Caro?
Oh yes I think it’s a great band. “Glimpse Of The Unseen”.. Holy shit. I think she is a great singer and finally a woman who doesn’t participate in this ‘look at me I’m a girl in a band thing’. A musician, very skilled, great band also! I like that they tried new things on their last album. I don’t know her personally, but I wouldn’t say no on a good conversation with her over a glass of wine or a tea
If you could do a featured collaboration with a musician of you choice, dead or alive, who would it be and why?
I love this question. It’s the happiness most girls have in a clothing store, I have it now when thinking about that possibility. Haha. Well I have a few that I really admirer. I honestly don’t think I would deserve to work together with any of them, ever. But a girl can dream no? ;)
To name some. (No one said I had to choose :p )
Kate Bush; Because she’s so weird and talented and I have always looked up to her.
Tom Waits: Because he’s so weird and talented.
David Bowie: Because he is so weird and talented and wise and inspiring. I would love to hear about his different alter egos. He’s a style icon and one of a kind. I could have learned so much from him. Since I was young I have admired him and with his last work he has really done something. Last year I woke up on my birthday and David Bowie was dead…
Another one that died last year. Prince. I always admired him, but it’s true, that when a person dies they get more recognition. I wish I was more into him earlier. What a weird fantastic and sexual man. I mean, he’s not my type at all, but he has something… That charisma… is crazy. And it would be such a weird combination. I would love that.
PJ Harvey: She is fantastic. Also someone who keeps reinventing and discovering herself
Thom York: Thom is life…
Bohren & der Club of Gore: I wonder what will happen if our darkness comes together…
David Eugene Edwards: He’s the man of one of my favourite bands; Woven Hand. What a weird unique person, and that voice…
Massive Attack: Fantastic band, very open-minded, always having great and authentic sounds and voices… Again, let me dream ;)
Lana del Rey: Because I love her and I am in love with her hahaha
The Smashing Pumpkins: Because they have a variety of great music and have a great sound
Arvo Pärt: It’s magnificent music!!!
I should stop I guess because I can go one forever…
Since I assume you’re as much or rather little into New Year’s resolutions like me, I’d still like to know if you feel a different vibe now that 2017 is here?
Well I am indeed not at all into these things. But… I had kind of a weird year and I noticed that I had this ‘Callimero’ syndrome. I don’t know if you know it? But it’s a little chick in an egg complaining that everyone is grown big and he is small and it’s not fair. I mean it’s not exactly that, but I like expressing it like that. I noticed I always think I don’t deserve things, I want to hide myself and with this, I sabotage myself. So in 2016 Callimero has died and I can tell you, I feel reborn. The year is just 20 days young and I have already made some decisions and reached some goals. In 2017 I will go hard and 2018 I am invincible.
Finally, did you ever watch the 1989 movie She-Devil? For anyone who doesn’t know it: It’s this totally hilarious black comedy featuring the amazing Meryl Streep and everyone’s favourite working-class housewife Roseanne!
No I don’t really watch many movies I must say. But I know why that tittle comes to your mind when you think about me :D hahaha.
Thanks so much for taking the time to answer my questions, if you’d like to add anything else, feel free to express yourself!
Thank you so much for this interview and go full speed in 2017! May we meet soon
Led by the gaspy howls of charismatic vocalist Kristina Esfandiari, San Francisco’s King Woman unveil their debut full-length “Created In The Image of Suffering”, a profoundly crafted opus of brooding, ethereal doom-rock. With the hypnotic and breathy vocal dramatics of Kristina Esfandiari, King Woman harness the elastic textures and temporality of drone and metallic shoegaze alongside the transcendental, melancholic power of doom. Recorded with engineer Jack Shirley (Deafheaven, Wreck & Reference, Oathbreaker) at the Atomic Garden, “Created In The Image of Suffering”‘s seven compositions evoke rich, gloomy imagery with crumbling washes of blurred, billowing distortion densely layered atop hazy, psychedelic atmospheres that call to mind a surrealistic Black Sabbath fronted by Mazzy Star. Complete with deeply personal, introspective lyrics that serve as catharsis for years of religious and mental torment, King Woman truly suffer to create their art.
Kristina Esfandiari originally formed King Woman back in 2009, but the band had taken a backseat to her other projects at the time like Miserable and Whirr (with whom she played with from 2012 to 2013), where she found her confidence from a vigorous touring schedule of playing stage shows, floor shows, and everything in between. “Created In The Image of Suffering” is due out on February 24, 2017 via Relapse Records. The single “Utopia” is out now.
After their most successful tour alongside countrymates Tribulation and Vampire in January, Grave Pleasures seem to have taken some time away from social media. As of today the band reveals one of the reason for their temporary withdrawal, seeing guitarist and former member of The Oath, Linnéa Olsson leaving them to pursue new adventures.
Commented the band: “We would like to thank Linnéa from the bottom of our hearts and wish her all the best on her new path. We will always be very proud of her and the work we did together. Grave Pleasures continues to rock and roll onward. We will announce our future plans very soon.
Photo by Maria Louceiro
This from Linnéa:
Grave Pleasures has been an intense adventure and creative experiment. This past year and a half has allowed me to grow as a songwriter and performer, and to experience life and music from strange and new perspectives.
Now the time is right for me to take the next step, and therefore I’ve made the decision to leave the band. I will focus on my own project, which hopefully will be in presentable shape later in the year!
A huge thank you to Uno, Juho, Mat & Valtteri, as well as all you people along the road for your much valued support. I hope to see you in the next chapter.
Only a few days before kicking off the “Wailing The Dead” European tour alongside Tribulation & Vampire, Finland’s’ finest Grave Pleasures have released their latest music video for “Girl In A Vortex”. Taken from their cunning debut “Dreamcrash”, the video was created by Sarah Ben Hardouze and Teresa Kuhn.
Grave Pleasures band portrait by Valtteri Arino
The “Dreamcrash” material is multi-layered, with a twin guitar team weaving sonic webs that are both dreamy and sinister. Moving past the post-punk wet dream Beastmilk originally spawned, the lyrics and vocals of Grave Pleasures are rich in texture and depth – staring into the abyss just long enough before it stares right back.
The future of this band is surely going to be as unprecedented and extraordinary as it’s inception. Finding their innate pleasure in their own demise, and embracing their nihilism, this revamped monster looks set to follow their trajectory to new formidable heights. The end has only just begun.
“The Wailing Dead” European tour 2016
TRIBULATION + GRAVE PLEASURES + VAMPIRE
Presented by Metal Hammer, Deaf Forever & Rock Tribune
14.01.2016 Berlin (Germany) – Magnet
15.01.2016 Hamburg (Germany) – Knust
16.01.2016 Kassel (Germany) – K19
17.01.2016 Nijmegen (The Netherlands) – Doornroosje
19.01.2016 Nürnberg (Germany) – Club Z-bau
20.01.2016 Innsbruck (Austria) – Weekender Club
21.01.2016 Vienna (Austria) – Viper Room
22.01.2016 Budapest (Hungary) – Durer Kert
23.01.2016 München (Germany) – Backstage
24.01.2016 Aarau (Switzerland) – Kiff
25.01.2016 Colmar (France) – Le Grillen
26.01.2016 Paris (France) – Glazart
27.01.2016 Hasselt (Belgium) – Muziekodroom
28.01.2016 Leiden (The Netherlands) – Gebr De Nobel
29.01.2016 Essen (Germany) – Turock
30.01.2016 Leipzig (Germany) – Werk2
While still on the road with their debut album “Dreamcrash“, Finnish Death Rockers GRAVE PLEASURES just recently announced to be co-headlining alongside Swedish institution TRIBULATION for the “Wailing The Dead Tour 2016”. The following statement was published via the official GRAVE PLEASURES Facebook page:
There’s a new dark wave coming, black-flagged by bands like us and Tribulation (Official), who stretch their skeletal hands further out into the abyss of deathly rock. Each in our own directions, but sewn at the naval by shared influences, as children of the night-music. You’re either with us or against us. Either way, we’re happy to announce that we’re going out on the road through Europe in January 2016 with Tribulation and Vampire in tow, to crash your dreams and drink your spirits. Fear the wailing of the dead!
“The Wailing Dead” European tour 2016
TRIBULATION + GRAVE PLEASURES + VAMPIRE
Presented by Metal Hammer, Deaf Forever & Rock Tribune
14.01.2016 Berlin (Germany) – Magnet
15.01.2016 Hamburg (Germany) – Knust
16.01.2016 Kassel (Germany) – K19
17.01.2016 Nijmegen (The Netherlands) – Doornroosje
19.01.2016 Nürnberg (Germany) – Club Z-bau
20.01.2016 Innsbruck (Austria) – Weekender Club
21.01.2016 Vienna (Austria) – Viper Room
22.01.2016 Budapest (Hungary) – Durer Kert
23.01.2016 München (Germany) – Backstage
24.01.2016 Aarau (Switzerland) – Kiff
25.01.2016 Colmar (France) – Le Grillen
26.01.2016 Paris (France) – Glazart
27.01.2016 Hasselt (Belgium) – Muziekodroom
28.01.2016 Leiden (The Netherlands) – Gebr De Nobel
29.01.2016 Essen (Germany) – Turock
30.01.2016 Leipzig (Germany) – Werk2
Along with the release of their highly anticipated debut record “Dreamcrash” on September 4, 2015, Finnish death rockers GRAVE PLEASURES have unveiled their second music video for the album track “New Hip Moon” via Filtr Germany. Check out the first single & video “Crying Wolves” here.
Furthermore the multinational four piece has just announced the support acts for their upcoming European tour on their official Facebook page: “We will be joined on tour in Europe this Sept/October by Jessica93! We will then also be joined by Kontinuum for the German leg of the tour. In Berlin we will play a very special one night only with our friend King Dude! In the UK we’re joined by Desperate Journalist. In Finland we’re joined by KESÄ.”
Recht weit oben in meinem persönlichen Kalender und doch unmittelbar an der Jahresmitte liegt wenig überraschend das Rock Hard Festival. Für mich könnte es das nunmehr zwölfte Mal in Folge und insgesamt 14. Pfingstwochenende im Gelsenkirchener Amphitheater werden. Mir fehlt zu diesem Zeitpunkt allerdings noch ein echter Kracher, bei dem ich so richtig ausflippen kann. Dafür freue ich mich sehr über die Ankündigung der Lokalmatadore von Neck Cemetery, deren Erscheinen mehr als obligatorisch ist. Stellt sich nur die Frage, ob Frontmann und RHF-Inventar Jens Peters sich und seine Mitstreiter selbst singend ankündigt oder wem er dafür das Mikrofon freiwillig (oder eben auch gezwungener Maßen) überlässt. Wer nicht bis Ende Mai warten möchte, kann bereits zur Monatsmitte im Lükaz – dem Lüner Kultur- und Aktionszentrum auflaufen. Hier gibt es ein Schwedendoppel mit RAM und den wunderbaren Spiders, die 2016 selbst am Kanal rockten sowie DER Deutschen Nachwuchshoffnung der Stunde: The Night Eternal. Deren neue Single “Shadow’s Servants” kommt am 20. März bei Ván Records raus, während das Debut über den bandeigenen Shop auf Platte und Kassette erhältlich ist. Nur eine Woche nach dem RHF und somit praktischer Weise nicht zeitgleich, geht es auch im Süden heiß her.
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